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| Tibetan Jewelry Box | ||||
| Tibetan Singing Bowl | ||||
Tibetan Culture |
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| Tibetan Prayer Flag | ||||
Buying Tips |
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| Tibetan Jewelry Culture | ||||
Tibet Travel Guide |
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Potala Palace, Lhasa |
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Lake Namtso (Lake Namco) |
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Mt Everest Base Camp |
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Best Season to Travel Tibet |
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Tibet Travel Tips |
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Resource Links: |
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| Tibetan Jewelry | ||||
| Buddha Jewelry | ||||
| Tibetan Artwork | ||||
| Tibet Meaning | ||||
| Buddhist Prayer Beads | ||||
| Names-in-Chinese | ||||
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Tibetan history begins with the incursions of Tibetan K'iang in Central China when Buddha was living in India, Confucius and Lao-tseu in China (5th century B.C.). The History of Tibet can be divided in two parts = the first one with the establishment and the end of the Tibetan Kingdoms, the second with the establishment and the end of the Dalai-Lama Theocracy. During both periods civil and religious problems are mixed and cannot be made distinct. In the seventh century, the Tibetan King Sron-tsan-gampo was very powerful and a menace to the Chinese Empire. During this period, many famous buildings and holy places were built.At the same time, the Indian and Nepalese cultures of South Asia, the Persian and Arabic cultures of West Asia and especially the Han Chinese culture of the Central Plain had considerable influence on the development of Tibetan culture. ... Lhasa is the Capital City of Tibet. Anyone visiting Lhasa will enjoy spectacular examples of sculpture, paintings and textiles, some woven with gold and pearls that were the focus of the Dalai Lamas' religious meditation. |
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Tibetan Buddhism constitutes one of the three branches of Buddhism and has been disseminated to a vast area including Tibet,Sichuan,Qinghai Gansu,Yuannan,Inner Mongolia and Xingjiang.Owing to historical reasons,almost all the Tibetan and Mongo lian people are its followers and a lot of other minority ethnic grops like the Yugu,Menba,Tu and Qing peple also believe in Tibetan Buddhism.This chapter focuses on the evolvement,features and major religious rituals of this branch of Buddhism. |
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One of the most stunning pieces of Tibetan jewelry is the famed Gau pendant. Also called a prayer box pendant, this jewellery piece often features rare and unusual gemstones and incredible carved silverworks. In Buddhism, the Gau is actually a portable shrine that holds an image wrapped in silk that represents the owner's personal deity. Some Ghaus have a small opening allow you to see the personality deity. People of other faiths use the Gau as a prayer box. Wearers write their prayer concerns on a slip of paper and place it in the box. |
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In Buddhist practice, singing bowls are used as a support for meditation, trance induction and prayer. For example, Chinese Buddhists use the singing bowl to accompany the wooden fish during chanting, striking it when a particular phrase in a sutra, mantra or hymn is sung. In Japan and Vietnam, singing bowls are similarly used during chanting and may also mark the passage of time or signal a change in activity. The use of singing bowls in Tibet is the subject of much debate and many stories. Some people say they were used for meditation while others say they were magical tools for transformation of self and of matter. Singing bowls are played by the friction of rubbing a wooden, plastic, or leather wrapped mallet around the rim of the bowl to produce overtones and a continuous 'singing' sound. Audio Sample (help·info) Genuine antique singing bowls produce a complex chord of harmonic overtones. Singing bowls may also be played by striking with a soft mallet to produce a warm bell tone. Audio Sample (help·info) Antique singing bowls are unique because they are multiphonic instruments, producing multiple harmonic overtones at the same time. Antique singing bowls are the fruit of sophisticated metallurgy, techniques currently deemed lost and provide a unique study in the Timeline of materials technology as do high quality bells and other instruments. The overtones are a result of their metalworking and fabrication which consists of multiple metals and were produced by a sophisticated hammered or beaten technique with . The majority of new bowls are cast metal and not hammered and beaten with Metalworking hand tools, and produce only one tone. Both Antique and New Bowls are widely used as an aid to meditation (see the "Meditation and the brain" section in Meditation) and as a tool for trance induction. They are also used in yoga, music therapy, sound healing, religious services, performance and for personal enjoyment. |
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The use of Tibetan masks extends throughout the Himalayan region, from locations as diverse as the tropical lowlands of Nepal --- the Terai --- to the high mountain villages of the Sherpas to the monasteries of Tibet and Bhutan. Most Himalayan masks are created locally of indigenous materials for particular ceremonies and are put away for the remainder of the year. We handpicked all our Tibetan Buddhist Masks in Nepal & Tibet which promises you 100% good quality and your online shopping satisfaction! |
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A "Thangka," also known as "Tangka", "Thanka" or "Tanka" (Pronunciation: [toːnkoː], the 'th' as an aspirated 't' and the 'a' as in the word water) (Tibetan: Nepal Bhasa:पौभा) is a painted or embroidered Buddhist banner which was hung in a monastery or a family altar and occasionally carried by monks in ceremonial processions. In Tibetan the word thang means flat, and thus the Thangka is a kind of painting done on flat surface but which can be rolled up when not required for display, sometimes called a scroll-painting. The most common shape of a Thangka is the upright rectangular form. Originally, thangka painting became popular among traveling monks because the scroll paintings were easily rolled and transported from monastery to monastery. These thangka served as important teaching tools depicting the life of the Buddha, various influential lamas and other deities and Bodhisattva. One popular subject is The Wheel of Life, which is a visual representation of the Abhidharma teachings (Art of Enlightenment). While regarded by some as colorful wall hangings, to Buddhists, these Tibetan religious paintings offer a beauty, believed to be a manifestation of the divine, and are thus visually stimulating. |
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